Reid it and Weep?

Coming in at number 37 on the countdown is a work of my very own--something I did over last Christmas Break on the ol' desktop. Why? Well after I listened to everything I'd previously recorded from the years before, I decided it was time to bump up the quality and give my music a much fuller sound.

The opener is a awkward mix of noises that start with a phone call and spiral down into a fun rendition of Weezer's 'Jamie.' When this finishes the crowd goes wild and cheers in a solo artist who acoustically covers 'Honkey Tonk Woman.' The crowd loves it, but are quickly silenced by a authoritative librarian-like figure who leads into 'Me and Julio Down By the School Yard,' which comes complete with some sort of coach. No that's not a dog in the background! A few chirps away lies a Beatles medley of sorts, and then a cover of Damien Rice's 'Cannonball.' Which eventually leads to the singalong, 'Long Black Veil,' followed by a whistle and a machine. A special guest joins for the opener to the second half. I won't give away any secrets, but I will say that this track includes the most fan-loved moment on the album. Next, the crowd returns to hear 'Factory Girl,' which fades into 'Oh Yoko!' A Revival strikes up after a sweet little girl introduces 'Hey Ya,' which acts as a the climax of the album. The last few songs are mere extras. The first of these starts out as a cover of 'War on War,' but soon becomes chaotic medley. Don't worry; listeners are properly forewarned. The last track is a song I made up for my nephew, when he interrupted my recording session. Some of you might even find a hidden track.


To the many of you that have this jewel, feel lucky. To the ones that were early to receive a copy, you probably have the first version, which is horrible. You haven't heard 'Reid it and Weep,' until you've heard the latest version. So, if you want another one then just say so. I'm not promising a speedy delivery (wink wink). And to those of you that got your copy extremely late, just be glad you have it, and don't come at me like Frankenstein.